Round 7

Thursday 3/26 Bracket:

 Ground-breaking Game-Changing Musicals 

& 

Iconic Dance Musicals

HAMILTON (2015, Lin-Manuel Miranda)

Hamilton is a musical with music, lyrics, and book by Lin-Manuel Miranda that tells the story of American Founding Father Alexander Hamilton. Inspired by the 2004 biography Alexander Hamilton by historian Ron Chernow, the show's music draws heavily from hip hop, as well as R&B, pop, soul, and traditional-style show tunes; the show also incorporates color-conscious casting of non-white actors as the Founding Fathers and other historical figures. Through this use of modern storytelling methods, Hamilton has been described as being about "America then, as told by America now."

From its first opening, critical response to Hamilton was "near-universal critical acclaim". The show premiered at the Public Theater, Off-Broadway on February 17, 2015, where its engagement was sold out; it won eight Drama Desk Awards, including Outstanding Musical. It then transferred to the Richard Rodgers Theatre on Broadway, opening on August 6, 2015, where it received uniformly positive reviews and strikingly high box office sales. At the 2016 Tony Awards, Hamilton received a record-setting 16 nominations, eventually winning 11 awards, including Best Musical. It received the 2016 Pulitzer Prize for Drama.

The Chicago production of Hamilton began preview performances at the CIBC Theatre in September 2016 and officially opened the following month.[8] The West End production of Hamilton opened at the Victoria Palace Theatre in London in December 2017, winning seven Olivier Awards in 2018, including Best New Musical. The first U.S. national tour of the show began performances in March 2017. A second U.S. tour opened in February 2018.  Hamilton's third U.S. tour began January 11, 2019, with a three-week engagement in Puerto Rico featuring Miranda in the lead role.

WHAT IS THE STORY?

Act I

The orphan Alexander Hamilton leaves his home on the island of Nevis ("Alexander Hamilton"). After arriving in New York in 1776, Hamilton meets Aaron Burr, John Laurens, Marquis de Lafayette, and Hercules Mulligan ("Aaron Burr, Sir"), and impresses them with his rhetorical skills ("My Shot"). They affirm their revolutionary goals to each other ("The Story of Tonight"). Meanwhile, wealthy sisters Angelica, Eliza, and Peggy Schuyler go into town seeking out potential suitors ("The Schuyler Sisters"). Samuel Seabury warns everyone about the dangers of Congress, but Hamilton disagrees and tries to counter Seabury ("Farmer Refuted"). King George then insists on his authority ("You'll Be Back"). During the New York and New Jersey campaign, Hamilton accepts a position as George Washington's aide-de-camp ("Right Hand Man"), instead of field command.

At Philip Schuyler's ball ("A Winter's Ball"), Hamilton meets, falls in love with, and later marries Eliza Schuyler ("Helpless"), as Angelica suppresses her feelings for the sake of their happiness at the wedding ("Satisfied"). After the wedding, Burr congratulates Hamilton on his position as aide-de-camp to Washington; Hamilton confesses that he would much rather have Burr's position on the battlefield ("The Story of Tonight (Reprise)"). Burr reflects on Hamilton's swift rise while considering his own career as more cautious ("Wait For It").

As conditions worsen for the Continental Army, Hamilton aids Laurens in a duel against Charles Lee ("Stay Alive"), who insulted Washington. Laurens injures Lee, who in turn yields ("Ten Duel Commandments"). Hamilton is temporarily suspended by Washington ("Meet Me Inside") over the duel and is sent home. There, Eliza reveals that she is pregnant with her first child, and asks Hamilton to slow down to take in what has happened in their lives ("That Would Be Enough"). After Lafayette convinces France to get involved on the colonists' side ("Guns and Ships"), he urges Washington to call Hamilton back to help plan the final Siege of Yorktown. Washington agrees but explains to Hamilton—who is convinced he should die a martyr and a hero in war—that he should be careful with his actions because whatever he does will be known for ages to come ("History Has Its Eyes on You"). At the Siege of Yorktown, Hamilton meets up with Lafayette to take down the British, revealing that Mulligan was recruited as a spy, helping them figure out what to do to trap the British and win the war ("Yorktown (The World Turned Upside Down)").

Soon after the victory at Yorktown, King George asks the rebels how they will succeed in governing on their own (“What Comes Next?”). Hamilton's son Philip is born, while Burr has a daughter, Theodosia, and the two tell their children how they will do anything to protect them ("Dear Theodosia"). Hamilton receives word that his friend Laurens has been killed in a seemingly pointless battle after the war was won and throws himself into his work ("Tomorrow There'll Be More of Us"). He co-authors The Federalist Papers and is selected as Secretary of the Treasury by newly-elected President Washington. Eliza begs Hamilton to stay. Angelica moves to London with her new husband ("Non-Stop").


Act II

Thomas Jefferson returns to America from being the U.S. ambassador to France ("What'd I Miss"). In 1789, Jefferson and Hamilton debate the latter's financial proposals at a Cabinet meeting. Washington pulls Hamilton aside and tells him to figure out a compromise to win over Congress ("Cabinet Battle #1").

Eliza and her family—along with Angelica, back from London—travel upstate during the summer, while Hamilton stays home to work on the compromise ("Take a Break"). Hamilton begins an affair with Maria Reynolds, making him vulnerable to her husband's blackmail ("Say No To This"). Hamilton, Jefferson, and James Madison create the Compromise of 1790 over a private dinner, exchanging Hamilton's financial plan for placing the country's permanent capital on the Potomac River. Burr is envious of Hamilton's sway in the government and wishes he had similar power ("The Room Where It Happens"). Burr switches political parties and defeats Philip Schuyler, making Hamilton now a rival ("Schuyler Defeated").

In another Cabinet meeting, Jefferson and Hamilton argue over whether the United States should assist France in its conflict with Britain. President Washington ultimately agrees with Hamilton's argument for remaining neutral ("Cabinet Battle #2"). In the wake of this, Jefferson, Madison, and Burr decide to join forces to find a way to discredit Hamilton in Washington's eyes ("Washington on Your Side"). Washington decides to retire from the presidency, and Hamilton assists in writing a farewell address ("One Last Time").

A flabbergasted King George receives word that George Washington has stepped down, and will be replaced by Paris signatory John Adams (“I Know Him”). John Adams becomes the second President and fires Hamilton, who publishes an inflammatory critique of the new president as a response ("The Adams Administration"). In the face of accusations of speculation of government funds by Jefferson, Madison, and Burr—and out of fear that his affair with Maria Reynolds will be used against him in his political career ("We Know")—Hamilton chooses to publicize his affair ("Hurricane") in the Reynolds Pamphlet ("The Reynolds Pamphlet"), damaging his relationship with Eliza ("Burn"). Philip, instructed by Hamilton, challenges George Eacker to a duel and is critically injured ("Blow Us All Away") and dies ("Stay Alive (Reprise)"), causing a reconciliation between Alexander and Eliza ("It's Quiet Uptown").

Hamilton's endorsement of Jefferson in the presidential election of 1800 ("The Election of 1800") results in further animosity between Hamilton and Burr, who challenges Hamilton to a duel via an exchange of letters ("Your Obedient Servant"). Hamilton writes his last letter in a rush while Eliza tells him to go back to bed (“Best of Wives and Best of Women”). Burr and Hamilton travel to New Jersey for the duel. During the duel, both Burr and Hamilton fire at each other after ten paces, with Hamilton intentionally missing (throwing away) his shot. Hamilton dies as a result, with Eliza and Angelica at his side. Burr laments that even though he survived, he is cursed to be remembered as the villain who killed Hamilton ("The World Was Wide Enough"). The musical closes with a reflection on historical memory, showing how Eliza kept Hamilton's legacy alive ("Who Lives, Who Dies, Who Tells Your Story").





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WEST SIDE STORY (1957, Bernstein, Laurents & Sondheim)


From the first notes to the final breath, West Side Story is one of the most memorable musicals and greatest love stories of all time. Arthur Laurents' book remains as powerful, poignant and timely as ever. The score by Leonard Bernstein and lyrics by Stephen Sondheim are widely regarded as among the best ever written. The world's greatest love story takes to the streets in this landmark Broadway musical that is one of the theatre's finest accomplishments.

Shakespeare's Romeo and Juliet is transported to modern-day New York City as two young, idealistic lovers find themselves caught between warring street gangs, the "American" Jets and the Puerto Rican Sharks. Their struggle to survive in a world of hate, violence, and prejudice is one of the most innovative, heart-wrenching and relevant musical dramas of our time.

The story is set in the Upper West Side neighborhood in New York City in the mid-1950s, a multiracial, blue-collar neighborhood. The musical explores the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds. The members of the Sharks, from Puerto Rico, are taunted by the Jets, a caucasian gang. The young protagonist, Tony, a former member of the Jets and best friend of the gang's leader, Riff, falls in love with Maria, the sister of Bernardo, the leader of the Sharks. The dark theme, sophisticated music, extended dance scenes, and focus on social problems marked a turning point in American musical theatre. Bernstein's score for the musical includes "Jet Song", "Something's Coming", "Maria", "Tonight", "America", "Cool", "One Hand, One Heart", "I Feel Pretty", "Somewhere", "Gee, Officer Krupke" and "A Boy Like That".

The original 1957 Broadway production, conceived, directed and choreographed by Jerome Robbins and produced by Robert E. Griffith and Harold Prince, marked Sondheim's Broadway debut. It ran for 732 performances before going on tour. The production was nominated for six Tony Awards including Best Musical in 1957, but the award for Best Musical went to Meredith Willson's The Music Man. Robbins won the Tony Award for his choreography and Oliver Smith won for his scenic designs. The show had an even longer-running London production, a number of revivals and international productions. A 1961 musical film adaptation, directed by Robert Wise and Robbins, starred Natalie Wood, Richard Beymer, Rita Moreno, George Chakiris and Russ Tamblyn. The film was nominated for eleven Academy Awards and won ten, including George Chakiris for Supporting Actor, Rita Moreno for Supporting Actress, and Best Picture.

WHAT IS THE STORY?

Prologue

The opening is a carefully choreographed, half-danced/half-mimed ballet of sorts. It shows the growing tensions between the Sharks, a Puerto Rican gang, and the Jets, a gang made up of "American" boys. An incident between the Jets and Shark leader, Bernardo, escalates into an all-out fight between the two gangs. Officers Schrank and Krupke arrive to break up the fight.

Act One

Detective Schrank, the senior cop on the beat, tries to get the Jets to tell him which Puerto Ricans are starting trouble in the neighborhood, as he claims he is on their side. The Jets, however, are not stool pigeons and won't tell him anything. Frustrated, Schrank threatens to beat the crap out of the Jets unless they make nice. When the police leave, the Jets bemoan the Sharks coming onto their turf. They decide that they need to have one big rumble to settle the matter once and for all – even if winning requires fighting with knives and guns. Riff plans to have a war council with Bernardo to decide on weapons. Action wants to be his second, but Riff says that Tony is always his second. The other boys complain that Tony hasn't been around for a month, but Riff doesn't care; once you're a Jet, you're a Jet for life ("Jet Song").

Riff goes to see Tony, who is now working at Doc's drugstore. Riff presses him to come to the school dance for the war council, but Tony resists; he's lost the thrill of being a Jet. He explains that every night for a month, he's had a strange feeling that something important is just around the corner. Nevertheless, Riff convinces Tony to come to the dance. Riff leaves Tony to wonder about this strange feeling that he's been having ("Something's Coming").

In a bridal shop, Anita remakes Maria's communion dress into a party dress. They are both Puerto Rican. Anita is knowing and sharp. Maria is excited, enthusiastic and childlike, but also growing into an adult. Maria complains that the dress is too young-looking, but Anita explains that Bernardo, her boyfriend, and Maria's brother, made her promise not to make the dress too short. It turns out that the dress is for the dance, which Maria is attending with Chino, whom she is expected to marry, despite the fact that she does not have any feelings for him.

At the dance in the local gym, the group is divided: Jets and their girls on one side and Sharks and their girls on the other. Riff and his lieutenants move to challenge Bernardo and his lieutenants, but they are interrupted by Glad Hand, the chaperone who is overseeing the dance, and Officer Krupke. The two initiate some dances to get the kids to dance together, across the gang lines. In the promenade leading up to the dance, though, the girls and boys end up facing each other at random, Jet girls across from Shark boys and vice versa. Bernardo reaches across the Jet girl in front of him to take Anita's hand, and Riff does the same with his girlfriend, Velma. Everyone dances with their own group as Tony enters ("Mambo"). During the dance, Maria and Tony spot each other. There is an instant connection. Bernardo interrupts them, telling Tony to stay away from his sister and asking Chino to take her home. Riff and Bernardo agree to meet at Doc's in half an hour for the war council. As everyone else disappears, Tony is overcome with the feeling of having met the most beautiful girl ever ("Maria")

.

Later, Tony finds the fire escape outside of Maria's apartment and calls up to her. She appears in the window but is nervous that they will get caught. Her parents call her inside, but she stays. She and Tony profess their love to each other ("Tonight"). He agrees to meet her at the bridal shop the next day. Bernardo calls Maria inside. Anita admonishes him, saying that Maria already has a mother and father to take care of her. Bernardo insists that they, like Maria, don't understand this country. Bernardo, Anita, Chino, and their friends discuss the unfairness of America – they are treated like foreigners, while People like Tony are treated like real Americans, paid twice as much for their jobs. Anita tries to lure Bernardo inside and away from the war council, but he refuses. As the boys leave for the council, one of Anita's friends, Rosalia, claims to be homesick for Puerto Rico. Anita scoffs at this. While Rosalia expounds on the beauties of the country, Anita responds with why she prefers her new home ("America").

At the drugstore, the Jets wait for the Sharks. discussing what weapons they might have to use. Doc is upset that the boys are planning to fight at all. Anybodys, a tomboy who is trying to join the Jets, asks Riff if she can participate in the rumble, but he says no. Doc doesn't understand why the boys are making trouble for the Puerto Ricans, and the boys respond that the Sharks make trouble for them. Doc calls them hoodlums and Action and A-rab gets very upset. Riff tells them that they have to save their steam for the rumble and keep cool, rather than freaking out ("Cool").

Bernardo arrives at the drugstore and he and Riff begin laying out the terms of the rumble. Tony arrives and convinces them all to agree to a fair fight – just fists, no weapons. The Sharks' best man fights the Jets' best man; Bernardo agrees, thinking that means he will get to fight Tony, but the Jets say they get to pick their fighter. Schrank arrives and breaks up the council. He tells the Puerto Ricans to get out. Bernardo and his gang exit. Schrank tries to get the Jets to reveal the location of the rumble and becomes increasingly frustrated when they refuse. He insults them and leaves. As Tony and Doc close up the shop, Tony reveals that he's in love with a Puerto Rican. Doc is worried.

The next day at the bridal shop, Maria tells Anita that she can leave, that Maria will clean up. Anita is about to go when Tony arrives. She suddenly understands and promises not to tell on them. When she leaves, Tony tells Maria that the rumble will be a fair fight, but even that's not acceptable for her, so she asks him to go to the rumble and stop it. He agrees. He'll do anything for her. They dream about being together and getting married ("One Hand, One Heart"). Later, the members of the ensemble wait expectantly for the fight, all for different reasons ("Tonight Quintet").

At the rumble, Diesel and Bernardo prepare to fight, with Chino and Riff as their seconds. Tony enters and tries to break up the fight, but provokes Bernardo against him instead. Bernardo calls Tony a chicken for not fighting him. Riff punches Bernardo and the fight escalates quickly until Riff and Bernardo pull out knives. Bernardo kills Riff and, in response, Tony kills Bernardo, instantly horrified by what he's done. The police arrive as everyone scatters; Anybodys pulls Tony away just in time.

Act Two

In Maria's apartment, she gushes to her friends about how it is her wedding night and she is so excited ("I Feel Pretty"). Chino interrupts her reverie to tell her that Tony has killed Bernardo. She refuses to believe him, but when Tony arrives on her fire escape, he confesses. He offers to turn himself in, but she begs him to stay with her. She says that, although they are together, everyone is against them. Tony says they'll find a place where they can be together ("Somewhere").

In a back alley, the Jets regroup in shock. No one has seen Tony. Officer Krupke comes by, threatening to take them to the station house. The boys chase him away for the moment and then release some tension by play-acting the scenario of what would happen if Krupke actually did take them to the station house ("Gee, Officer Krupke"). Anybodys shows up with information about Tony and the fact that Chino is looking for him. She uses this information to get the boys to treat her like one of the gang. The Jets agree that they need to find Tony and warn him about Chino.

Meanwhile, Anita comes into Maria's room and finds her with Tony. Tony and Maria are planning to run away. Tony knows that Doc will give him money, so he goes to the drugstore and tells Maria to meet him there. She agrees. When he leaves, Anita explodes at her for loving the boy who killed her brother. Maria acknowledges that it's not smart, but she can't help it ("A Boy Like That / I Have a Love"). Anita tells Maria that Chino has a gun and is looking for Tony. Schrank arrives and detains Maria for questioning. Maria covertly asks Anita to go to Doc's and tell Tony that she has been delayed. Reluctantly, Anita agrees.

The Jets arrive at Doc's, learning that Tony and Doc are in the basement. Anita arrives and asks to speak to Doc. The Jets, recognizing her as Bernardo's girl and thinking that she is there to betray Tony to Chino, won't let her go down to the basement to talk to Doc. Instead, they harass and attack her. Doc arrives to find them ganging up on her; he breaks it up, but Anita, disgusted and hurt, lies to Doc and tells him to relay a message to Tony: Chino has shot Maria, and he will never see her again.

When Doc returns to Tony in the basement, he delivers Anita's message. Tony is distraught and heartbroken. He runs out into the streets and calls Chino to come for him. Anybodys tries to stop him, but Tony doesn't care. He yells to Chino that he should come out and shoot him, too. Maria appears in the street – much to Tony's surprise – and they run towards each other. At that moment, Chino steps out of the shadows and shoots Tony, who falls into Maria's arms, gravely wounded.

The Jets, Sharks, and Doc appear on the street. Maria picks up the gun and points it all of them, asking Chino if there are enough bullets to kill all of them and herself, as well. The depths of her sadness and anger move everyone as she breaks down over Tony's body. Officers Krupke and Schrank arrive. They stand with Doc, watching as two boys from each gang pick up Tony's body and form a processional. The rest follow the processional, with Baby John picking up Maria's shawl, giving it to her and helping her up. As Maria follows the others, the adults continue to bear silent witness ("Finale").

https://www.westsidestory.com/




SEVEN BRIDES FOR SEVEN BROTHERS (1982, Kasha, Landay, DePaul, Hirschhorn & Mercer)



Seven Brides for Seven Brothers is a musical with a book by Lawrence Kasha and David Landay, music by Gene de Paul, Al Kasha and Joel Hirschhorn, and lyrics by Johnny Mercer, Al Kasha and Joel Hirschhorn. It is based on the 1954 Stanley Donen film of the same name which is, itself, an adaption of the short story "The Sobbin' Women," by Stephen Vincent Benét, based on the Ancient Roman legend of The Rape of the Sabine Women.

Based on the classic film, Seven Brides for Seven Brothers is an authentic piece of Americana, a time-tested romantic comedy with a special, contemporary relevance. Bringing the raucous Oregon frontier from the screen to the stage, it is a crowd-pleasing hit that has audiences cheering from the opening scene to the curtain call. Saddle up for a joyride in this tale of stubborn men and cunning women.

The men in question are Adam and his six unruly brothers, who think they know what a woman's place is and how to keep her there. It takes Milly, Adam's spirited new wife, and six other savvy women to show them who's the boss.

Seven Brides for Seven Brothers, American musical film, released in 1954, that is noted for its lively dance numbers. It was one of the first musicals to capitalize on the new wide-screen process of CinemaScope.

In the 1850s lumberjack, Adam Pontipee lives with his six brothers in a remote cabin in the Oregon woods. Intent on finding someone to do the housekeeping, he marries the boardinghouse cook Milly . Once at the cabin, Milly begins civilizing the uncouth Pontipees. They go to town for a barn-raising dance and meet some local women but get into a brawl. The Pontipees miss the women they met at the dance, so Adam tells his brothers that, like the Romans did with the Sabine women, they should carry them off. The abducted women are taken back to the brothers’ cabin, and the culture clash that follows provides the basis for laughs and extravagant musical numbers.

Seven Brides for Seven Brothers was based on the short story “The Sobbin’ Women” by Stephen Vincent Benét, which in turn was inspired by the abduction of the Sabine women as narrated in Plutarch’s Life of Romulus. Many of the actors were trained dancers, for whom the legendary Michael Kidd supplied energetic choreography, particularly in the barn-raising sequence. The film was unusual in that it was not based on a prior Broadway musical. Keel and Russ Tamblyn excel among the brothers, while Julie Newmeyer as one of the abducted women got a career boost, changed her name to Julie Newmar, and went on to play Catwoman in the Batman TV series.

WHAT IS THE STORY?
Seven Brides for Seven Brothers takes place in 1850s Oregon when Adam Pontipee comes to town from his remote ranch to find himself a bride. He quickly finds the spunky Milly who sees truth in his eyes, so she agrees to marry him, thinking that a life with Adam would be much better than waiting tables in a town of mostly uncivilized people. What Adam fails to tell her is that he's got six brothers at home and he is bringing Milly home so she can take care of him and his brothers. While Adam doesn't exactly trick her or lie to her, just fails to tell her the complete truth, he does have some true affection for her, and Milly quickly realizes that cooking and cleaning for a houseful of seven men isn't exactly the life she hoped for herself. She also discovers that Adam and all of his brothers lack 

social skills, so she goes about showing all of them how to become better men by teaching them manners, showing them how to speak to women and even how to dance. The boys, all eager to get women of their own, take Millie's advice. However, they also take their newfound skills to the extremes just a bit when they kidnap six of the girls in town they've fallen for in order to get them away from the other suitors in town and take them back to the ranch. With the angry suitors on the way to the ranch, Adam so upset with Milly that he leaves to live on the mountains, and the six girls not exactly happy for being stolen away, all seems lost. But the show is called Seven Brides for Seven Brothers, after all, so after a resolution that is so quick you could blink and miss it, you know there is going to be a wedding or maybe even seven before the curtain call. 

AN AMERICAN IN PARIS (2014, Lucas, Gershwin & Gershwin)

An American in Paris, composed in 1928 by Gershwin, is a symphonic poem of about twenty minutes hailed by the critic Isaac Goldberg as being an “American Afternoon of a Faun”. 

In 1950, the Hollywood producer Arthur Freed had the idea to make a film based on this piece. As he would later do with Singin’ in the Rain, he envisioned a set of existing songs by George and Ira Gershwin on which a story could be created. As conceived by choreographer and star Gene Kelly, director Vincente Minnelli and book writer Alan J. Lerner, the story of the film focused on an American GI, Jerry, a painter in Montmartre who meets Lise, a young saleswoman. Lise however, is loved by Henri, a singer of middle-of-the-road popular songs.

The film culminates in a ballet where the couple reunites. This dance sequence became one of the most famous in the history of the Hollywood musical and the film went on to win six Oscars. It would be nearly 65 years before a theatrical version of the musical would find its way to the stage. 

The stunning stage production of An American in Paris premiered at the Théâtre du Châtelet in Paris, before being restaged on Broadway at the Palace Theatre. Christopher Wheeldon directed a remarkable cast of singers, actors and dancers as they brought the magic and romance of Paris and the timeless songs of George and Ira Gershwin into perfect harmony. This time, the story focuses on the romantic story of a young American soldier, a beautiful French girl and an indomitable European city, each yearning for a new beginning in the aftermath of war.

Video design by 59 Productions works seamlessly with the staging and the scenic elements, to not only create the Parisian streets within which the story is set, but to also bring them to life in their own right. Taking their inspiration from the idea of a sketchbook, the projections transform from simple line drawings to finished artworks in paint and pastel. They work in tandem with an elegantly mobile set and a cast of fluid dancers to create a dynamic and exciting world on stage.

An American in Paris won four Tony Awards, three Outer Critics Circle Awards, a Drama League Award, two Theatre World Awards, four Drama Desk Awards, three Fred and Adele Astaire Awards, and an Actors Equity Association "ACCA" Award.

WHAT IS THE STORY?

An American in Paris is a story of finding love, happiness, and a new lease on life. The musical is set in the City of Lights, Paris, as it emerges from the shadows of World War II. As the weight of the Nazi Occupation begins to lift, the city’s inhabitants come alive and rediscover life’s grandest possibilities. 

An American veteran and aspiring painter, Jerry, is still reeling from the war when he discovers the girl of his dreams: Lise, a captivating young dancer at the ballet. Jerry falls in love with the mystery girl as soon as he spots her in a crowd on the street. By chance or fate, Jerry and Lise are brought together at a ballet rehearsal, where Jerry has come to visit his friend Adam, the company’s composer. 

While there, Jerry catches the eye of Milo, an American heiress, and Adam’s patron. To add more confusion to this love triangle, Lise is already engaged to marry Henri, a rich young businessman, who dreams of being a performer, himself. 

But does Lise truly love Henri? Or is Jerry, the American stranger, the man she is meant to love? And even if she loves Jerry, can Lise find a way to move on from the fact that Henri’s family saved her life during the war?

Set to some of the George and Ira Gershwin’s most timeless music, An American in Paris brings both complexity and joy to the journey of Lise, Jerry, and their friends, as they fall in love, follow their dreams, and celebrate the most wonderful joys of being alive.

Round 7 Voting Form Game-Changing Ground-breaking Musicals and Iconic Dance Musicals